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I don’t think that every movie has to check all the boxes, ’cause I think it can feel like tokenism as well, but it’s so important that we’re all having these conversations and really trying to think about ways that these kids need to see themselves on the screen, wherever they’re from or whatever their situations. And those are things that we talk a lot about in each movie. Our Massimo character was a wonderful collaboration with the filmmakers from Crip Camp. We thought, for example, more about disability and bringing people that are not always seeing themselves in movies in there. Speaking of Luca, which is set in 1950s Italy, Casarosa notes, “you can start asking yourself, how do you bring some representation here? And we realized that that would have been hard to do with authenticity, and so we found other different ways that we could represent some diversity. And it was a really great success story.”
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And we were like, well, why don’t we hire this woman? We’ve got a million people who can teach you how to manage a team, we have a lot of support here at the studio. I remember being in a meeting going, we need to find a production designer who can draw like this woman. “Our production designer on Mitchells is Lindsey Olivares, and she was somebody that we noticed on Instagram, who just had an incredible body of personal work. According to, 'Netflix and Chill' is 'a distinct phrase which means to watch Netflix with a romantic prospect with the eventual expectation of sexual activity.' While the intention behind the 'Netflix & Chill holiday 'initiative by the Jaipur-based tech firm is good and positive, a little R&D would have helped. “One of the challenges is leadership and making sure that we’re inviting people into those positions and helping them,” he continues. So the access is a lot greater than it’s ever been.” “One of the things that’s really exciting is that the schools are much more diverse and there are a lot more women, and beyond the schools, people are learning this craft online on YouTube. “As a business, we’re a work in progress,” adds Lord. 'Awards Chatter' Podcast: Rita Moreno Looks Back on Career and Returning to 'West Side Story' The conversation included discussion of diversity and inclusion, of which Walt Disney Animation Studios’ Spencer summed up, “There’s been incredible progress and there’s still an immense amount of work to do.”
The Machines Jonas Poher Rasmussen, writer-director, Flee and Clark Spencer, producer, Encanto. 10 Best Movies To Watch For A Netflix & Chill EXCLUSIVE AUDIO thedlhughleyshowi1.
5, the discussion features Elaine Bogan, director, Spirit Untamed Enrico Casarosa, writer-director, Luca Carlos López Estrada, director, Raya and the Last Dragon Quiara Alegría Hudes, writer, Vivo Phil Lord, producer, The Mitchells vs. The Hollywood Reporter‘s complete Animation Roundtable is presented in a new episode of THR‘s Behind the Screen podcast.
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